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Biennale (2009)
Peonies on blue rock (2010)
Loyalty (2018)
Yuzu_Chaekgeori (2015)
Tiger under pine tree (2016)
Glasses_Chaekgeori (2011)
Blessing_bat (2018)
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Kate (Kiyoung) Nam is an artist dedicated to introducing Korean heritage painting to contemporary audiences. Her work is deeply rooted in the traditional art form of Minhwa, using natural pigments and classic techniques. While preserving the aesthetic of traditional Korean painting, her subjects often reflect modern lifestyles—creating a meaningful dialogue between cultural legacy and today’s world.

Kate is currently the Chief Operating Officer of kbean.com, an open and transparent digital art marketplace. She also serves as the Director of the Gahoe Minhwa Association, leading international collaboration to promote Korean folk art globally. One of her key initiatives is the “Minhwa Challenge in the US”, a cultural outreach project designed to introduce Minhwa to Western audiences—especially in the U.S.—in hopes that the art form will be loved, appreciated, and adapted in diverse cultural contexts.

She is also an experienced curator, with notable exhibitions including the Asian Heritage Exhibition at the Federal Reserve Bank of New York, as well as shows at the Korean General Consulate Exhibition Hall and Korean Center Inc. in San Francisco.

Previously, she served as CEO of the Korea division of Royal Copenhagen, blending her passion for art with business leadership. Kate holds a Minhwa teaching certification from the Gahoe Museum and continues to create, educate, and build cross-cultural appreciation for Korean traditional art.

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Exhibitions
Gwangjoo Design Biennale, Gwangjoo (2009)
Kim Ree Aa Gallery, Seoul (2012)
Gana Art Center, Seoul (2016)
Il Hyund Gallery, Yang Yang (2018)
Federal Reserve Bank of New York (2018)
Consulate General of the Republic of Korea in San Francisco (2020)
Korean Center in San Francisco (2022)
Ruth's Table community art gallery, San Francisco (2025)
Eun Galley, Seoul (2025)
 
Awards
Excellent Prize - Korean Association of Traditional Fork Art (2012)
Korean Association of Traditional Fork Art (2013, 2014)
Dae-Gal Modern Minhwa contest (2015)
Kim Sat Got Culture Festival (2016)
Dae-Gal Modern Minhwa contest (2018)

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I started my artistic journey in 2009 as attainting Korean folk art.  Soon became an unyielding desire to myself to explore the inner mechanism of my creative consciousness.

The folk art may not associate itself with artistic rarity, but the hidden message and communication through the design, symbols, and patterns are priceless beauty.  I capture the same principle. “Art that speaks as part of the lifestyle today.”  While I keep traditional objects such as peony, butterfly, fish, peach, and book as they formed my cultural background, I have transformed or reinvented the design, symbols, colors and patterns to reflect today’s living. Whereas the starting point was Korean traditional art, my art is a highly-personal reflection of myself.

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News

Updates & Interviews

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Keum Eun Hoi Exhibition Opens
at Consulate General of the Republic of Korea in San Francisco 

July 20 ~ September 30, 2020

This exhibition introduce Korean folk art in two very different perspectives while driving a single message, "Happiness@Home" by combining and contrasting innovative technology and physical arts. 
Curated by Kate Nam
Technology provided by Kbean.com

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The Art of Minhwa

October 1, 2020

As the part of the 2nd Chuseok festival by the Korean Center, Inc., Kate has presented the story of Minhwa (Korean folk art), symbols and workshop.

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New Year Painting "Sehwa" 

February 15, 2021

Happy new year! The lunar new year falls on February 12 in 2021. Kate presents the "Sehwa" and drawing of guardian tiger. The video is produced by Oakland Asian Culture Center  and the Korean Center Inc.

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Library Collection

The Library collection is about reflections of yourself as library is a place where you can look back while learning from others.  Objects in library collection are not only the collection of books but also that of precious things you cherish and find your own serenity.

Azaleas (2011)
Inkstone (2011)
Lotus_Chaekgeori (2011)
Glasses_Chaekgeori (2011)
Eggplant_Chaekgeori (2015)
Yuzu_Chaekgeori (2015)
Daffodils on books (2016)
Daffodils on tray (2016)
Pomegrante_Chaekgeori (2013)
Three vases (2018)
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Prosperity and Love 

The flower, Peony has been a symbol of a Queen representing royal, dignity, prosperity, and love.  If you wish to have prosperity, wealth, and many children, the painting of fruits with lots of seeds such as pomegrante, watermelon or grape may speak to you. 

Harmony (2014)
Lotus with turtles (2010)
Lucky peach (2017)
Watermelon (2009)
SunlightMoonlight (2017)
Blessing_butterfly (2018)
Blessing_bat (2018)
Humming blues (2020)
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Calligraphy with Story

Regardless of one's cultural heritage, all of us were influenced by good moral values in some forms.  Confucianism that influenced the most of east Asia emphasized eight principles that we could related.  They are filial piety, brotherly love, loyalty, trust, courtesy, righteousness, integrity and sensitivity.   Each letter in Chinese calligraphy itself is an art, and these paintings incorporated objects, plants, flowers and animals to created more interesting stories.

Filial piety_roll screen (2010)
Filial piety (2013)
Brotherly love (2013)
Trust (2013)
Righteousness (2013)
Loyalty (2018)
Courtesy (2018)
Forever green Brotherly love (2020)
Purple Loyalty (2020)
Orange Filial piety (2020)
Mintish Love (2020)
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Guardian

A guardian angel, the protector, may be gentle, kind and warm.  Whereas, many people in Asia believe that a guardian angel has a fierce face of human, animal or monster in order to repel evil and protect them.

Tiger under pine tree (2016)
Guadian Dog (2016)
Tiger with magpie_Farcical (2016)
Tiger and magpie (2016)
Haitai under Peach tree (2013/4)
Haitai under Buddah's hand tree (2013/14)
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Contact

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