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Kate (Kiyoung) Nam is an artist dedicated to introducing Korean heritage painting to contemporary audiences. Her work is deeply rooted in the traditional art form of Minhwa, using natural pigments and classic techniques. While preserving the aesthetic of traditional Korean painting, her subjects often reflect modern lifestyles—creating a meaningful dialogue between cultural legacy and today’s world.
Kate is currently the Chief Operating Officer of kbean.com, an open and transparent digital art marketplace. She also serves as the Director of the Gahoe Minhwa Association, leading international collaboration to promote Korean folk art globally. One of her key initiatives is the “Minhwa Challenge in the US”, a cultural outreach project designed to introduce Minhwa to Western audiences—especially in the U.S.—in hopes that the art form will be loved, appreciated, and adapted in diverse cultural contexts.
She is also an experienced curator, with notable exhibitions including the Asian Heritage Exhibition at the Federal Reserve Bank of New York, as well as shows at the Korean General Consulate Exhibition Hall and Korean Center Inc. in San Francisco.
Previously, she served as CEO of the Korea division of Royal Copenhagen, blending her passion for art with business leadership. Kate holds a Minhwa teaching certification from the Gahoe Museum and continues to create, educate, and build cross-cultural appreciation for Korean traditional art.

Exhibitions
Gwangjoo Design Biennale, Gwangjoo (2009)
Kim Ree Aa Gallery, Seoul (2012)
Gana Art Center, Seoul (2016)
Il Hyund Gallery, Yang Yang (2018)
Federal Reserve Bank of New York (2018)
Consulate General of the Republic of Korea in San Francisco (2020)
Korean Center in San Francisco (2022)
Ruth's Table community art gallery, San Francisco (2025)
Eun Galley, Seoul (2025)
Awards
Excellent Prize - Korean Association of Traditional Fork Art (2012)
Korean Association of Traditional Fork Art (2013, 2014)
Dae-Gal Modern Minhwa contest (2015)
Kim Sat Got Culture Festival (2016)
Dae-Gal Modern Minhwa contest (2018)

I started my artistic journey in 2009 as attainting Korean folk art. Soon became an unyielding desire to myself to explore the inner mechanism of my creative consciousness.
The folk art may not associate itself with artistic rarity, but the hidden message and communication through the design, symbols, and patterns are priceless beauty. I capture the same principle. “Art that speaks as part of the lifestyle today.” While I keep traditional objects such as peony, butterfly, fish, peach, and book as they formed my cultural background, I have transformed or reinvented the design, symbols, colors and patterns to reflect today’s living. Whereas the starting point was Korean traditional art, my art is a highly-personal reflection of myself.
News
Updates & Interviews

Keum Eun Hoi Exhibition Opens
at Consulate General of the Republic of Korea in San Francisco
July 20 ~ September 30, 2020
This exhibition introduce Korean folk art in two very different perspectives while driving a single message, "Happiness@Home" by combining and contrasting innovative technology and physical arts.
Curated by Kate Nam
Technology provided by Kbean.com
Library Collection
The Library collection is about reflections of yourself as library is a place where you can look back while learning from others. Objects in library collection are not only the collection of books but also that of precious things you cherish and find your own serenity.
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Prosperity and Love
The flower, Peony has been a symbol of a Queen representing royal, dignity, prosperity, and love. If you wish to have prosperity, wealth, and many children, the painting of fruits with lots of seeds such as pomegrante, watermelon or grape may speak to you.
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Calligraphy with Story
Regardless of one's cultural heritage, all of us were influenced by good moral values in some forms. Confucianism that influenced the most of east Asia emphasized eight principles that we could related. They are filial piety, brotherly love, loyalty, trust, courtesy, righteousness, integrity and sensitivity. Each letter in Chinese calligraphy itself is an art, and these paintings incorporated objects, plants, flowers and animals to created more interesting stories.
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Guardian
A guardian angel, the protector, may be gentle, kind and warm. Whereas, many people in Asia believe that a guardian angel has a fierce face of human, animal or monster in order to repel evil and protect them.
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